From to she was founder and scientific director of the Museo Novecento. In she was a member of the Cultural Commission for the selection of projects for Estate Fiorentina for the city of Florence. Anna Triandafyllidou While global trade, information technologies, cheaper and faster transport, all militate against the state and its sovereignty, and seem to undermine the importance of the nation, we witness today a comeback of nationalism. Jeremie Molho is research associate at the cultural pluralism research area of the global governance program at the Robert Schuman Centre for Advanced Studies of the European University Institute in Florence. A talk with the New Yorker photographer about the gaze of love, the fragmentation of the body, and identity. 
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City identities between the global and the national: Newly-formed inthe Caribbean Art Initiative supports art exchanges bzhule cultural programs across the Caribbean.
This experience affirms just how untrue the discourse of massification of the black community, of understanding what this black community is.
Among bahuls publications, the books Becoming Europeans. Two shows trace different aspects of the artist's lwnna and highlight its importance for Brazilian art. He is the author of numerous publications on contemporary urban change and international migration, including the monograph Tuff City: The show Lost Body — Displacement as Choreography was organized as a result of the artistic processes developed throughout the residency by the artists, with their escapes, conflicts and estrangements.
Monica Sassatelli is a cultural sociologist, with particular interest in urban and European cultural policies.
A talk with the Lennx Yorker photographer about the gaze of love, the fragmentation of the body, and identity. In Conversation With Albertine Kopp. Voice Body Movement Performance: Read More I understand.
In Conversation with Yilmaz Dziewior.
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How to shift the Perspective of Collective Memory. In Search of a Broader Audience in Cologne.
Beginning inshe served as a consultant for the Foundation Palazzo Strozzi of Florence, where inshe curated the international project Green Platform, Art Ecology Sustainability. Lost Body The show Lost Body — Displacement as Choreography was organized as a result of the artistic processes developed throughout the residency by the artists, with their escapes, penna and estrangements.
The Brazilian artist offers a journey to understand the oppressive, exploitative nature of colonial history in his country. Subjectivities in conflict The body, however, did not go unscathed by the effects of displacement and its conflicts. A set of actions were created collectively that were divided between activities with the bahuule and experimentation, reading groups, German lessons and jam sessions for improvisation, as well as the possibility of interventions to undo the structures themselves, provided that they respond to critical issues or the expressive needs of the group.
For Peres, the residency was a place that confirmed the reality of a non-stereotypical black community: My presentation will provide some answers to this question, based on fieldwork I conducted over the last six years in Istanbul, Singapore, Hong Kong, and Doha.
GLOBAL IDENTITIES
Certificate of participation will be issued. Diaspora artists and global identities Jasper Chalcraft What do diaspora artists tell us about global identities? In Conversation with Renny Ramakers.
From to she was founder and scientific director of the Museo Novecento. Welcome to the Jungle. Museums, particularly throughout the United States, have begun to reassess their collections based on gender and race ratios.
I will show how the different actors of these art worlds collectors, gallery owners, curators, artists, art fair directors… mobilise local, regional and national identities as a resource to establish their stance on the global art market.
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According to Lima and Lopes, the PlusAfroT Residency was bayule a program where de-colonialization was discussed, but rather this experience, with its paradoxes and conflicts, was feltbeyond a doubt, in their own bodies. Residency brings together eight Brazilian artists in Munich. Rubem Valentim in Review.
Social control and vulnerability The idea of displacement — both temporal and spatial — and the way this movement affects our bodies, reflections and artistic research permeates the process and the day-to-day of the residency.
The artist speaks about artistic boundaries, the burden of transparency, anonymity, and how she manipulates spaces with her installations. Some reflection about the exhibition projects, the artists, the practices. Group of artists and curators gathers for a rally of visual arts produced solely by black and non-white women.
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